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Artelligence
Marion Maneker0September 11, 2012

Artelligence: Alexander Calder (and Others)

Over the last few weeks, we’ve discussed some of the panels and presentations at Artelligence on Thursday, September 13th at the New York Athletic Club. Noah Horowitz will lead a panel on the future of art fairs that will begin with a presentation of research on gallery performance at fairs. Allen Hansen will discuss with Arthur Goldberg his experiences collecting photography as Contemporary art. Michael Findlay will give the benefit of his decades experience in the art market to argue that we focus too much on the mechanics of buying and selling art and not enough on the art itself.

The Federal Reserve Bank of New York’s Benjamin Mandel will present his research on the changing nature of the international art buyer by looking at the Internationalization of Chinese Art. Josh Baer and Ralph Lerner will discuss 1031 Exchanges.

Finally, Todd Levin will talk to Marion Maneker about his experiences in two artist’s markets that have been very active in recent years: Gerhard Richter’s and Alexander Calder’s. In addition, attendees will receive an ArtTactic report on the Calder market that details the recent rise of Calder’s work to blue chip status. Marion Maneker will present the report’s highlights and there will be discussion

Artelligence
Marion Maneker0September 08, 2012

Artelligence Schedule

8:30am Registration

9am Michael Findlay

The Value of Art

9:45am Benjamin Mandel

The Internationalization of Chinese Art

10:30am Todd Levin

Case Studies in the Richter and Calder Markets (plus Calder Report)

11:30am Arthur Goldberg

Collecting Photography as Fine Art

12:30pm Networking Lunch

1pm  Ralph Lerner & Josh Baer

1031 Exchanges

2pm The Future of Art Fairs Panel

with Noah HorowitzStephano Curioni, Sean Kelly, 

Christian Viveros-Faune Thea Westreich

Artelligence
Marion Maneker1August 28, 2012

Artelligence Preview: Michael Findlay on The Value of Art

 

Leading off the Artelligence Conference this September 13th in New York City will be Michael Findlay, the author of The Value of Art, a fascinating book on the art trade but also something of a manifesto on how to look at, think about and experience art. Central to Findlay’s point of view, as he explains in the audio clip below from a conversation recorded several months ago, is that the way in which we understand a work of art’s value has been up ended by the fixation on auction prices and valuations. Findlay will have more to say at the conference. 

 

Artelligence
Marion Maneker0August 22, 2012

Artelligence Recap: Inside the Modern Market

For those of you thinking about coming to this September’s Artelligence conference, here’s an audio recording of  Nick Aquavella, Guy Bennett, Nick Maclean and Helly Nahmad discussing the Modern market at our last conference:

You can read some of the headlines from that panel herehere and here. And if you would like to join us for this Sept. 13th’s edition, you can buy a ticket below:

Artelligence
Marion Maneker0August 14, 2012

The Future of Art Fairs Panel at Artelligence

Noah Horowitz has announced the panelists for his Future of Art Fairs conversation at Artelligence:

  • Thea Westreich, Thea Westreich Art Advisory Services
  • Christian Viveros-Faune, The Village Voice
  • Stefano Baia Curioni, Professor at Universita Bocconi, Milan

Artelligence
Marion Maneker0August 07, 2012

Arthur Goldberg at Artelligence: How Photography Made Its Way into Contemporary Art Collections

One of the highlights of September 13th’s Artelligence conference will be a conversation with Arthur Goldberg, one of ArtNews’s Top 200 Collectors, about collecting photographic works as Contemporary art.

Although photographic-based works, including examples by Cindy Sherman and Andreas Gursky, have hit record prices, the acceptance of photography at the very top of the Contemporary art market has only been recent. Goldberg will explore that process through is own experiences.

Other topics Goldberg will discuss that with Crozier’s Allen Hansen will include his decision to open a private museum in Mt. Kisco.

 

Arthur A. Goldberg is a native of New York. He has a BS in Economics from the University of Pennsylvania and an MS in Finance from Columbia University

Arthur and his wife Carol began collecting in the 1960s. Their focus was current, living artists; the majority of whom were unknown at the time. Over the years their thirst for knowledge has changed the focus slightly to include artists that influenced these contemporary works. They collect all mediums, select antiquities and have a masterful vintage photography collection.

In 2003, Carol and Arthur opened an exhibition space in Mt. Kisco. The goal of this space was to allow independent curators to explore the collection and allow much of the work that had previously been in storage to be revisited. The exhibition space closed in 2008 having showcased four long-term exhibitions featuring hundreds of artists.

Arthur is retired with over 45 years experience in finance and private client investment. He and Carol are founding members of the Steiglitz Society at the Met and The Foundation, To-Life, Inc. They are active members of the art community and enjoy spending time with their two children and four grandchildren who also reside in Manhattan.

 

Artelligence
Marion Maneker0July 24, 2012

Join Us for Artelligence on Sept. 13, 2012

Artelligence, Dealers, Featured
Marion Maneker2September 27, 2011

Artelligence: Is Miró the New Picasso?

Artnet’s Rachel Corbett reports on the Inside the Modern Market panel at Artelligence last week with Helly Nahmad, Nick MacLean, Guy Bennett & Nick Acquavella:

“Miró is one of the most undervalued of the 20th century masters,” Nahmad proclaimed, reminding some listeners of the masterful Miró show he mounted in his booth at Art 39 Basel in 2008. “We have yet to see a $100 million Miró like we have with Picasso or Alberto Giacometti.” But that may change as well, he predicted. For one thing, the Tate Modern just closed an exhibition of 150 works by the Surrealist artist, his first major retrospective in 50 years, and it’s scheduled to travel to the U.S. next.

Miró’s later works have inspired renewed interest, Maclean said, because the supply has been so limited. “We haven’t seen Miró because great Miró hasn’t come up to the market,” added Nahmad. “People are forced to look at other works that are available.” This means that collectors who normally don’t want late-in-life paintings (many avant-garde artists are thought to fall off with age) are reconsidering. After all, according to Nahmad, cashing in on his famous name was “not the case with Miró,” adding that the artist’s late output, like Picasso’s, is considered to be some of his most mature and intellectual.

Finally, Acquavella added that Miró is particularly promising because his work appeals to those collectors with more contemporary sensibilities. “His use of collage can appeal to someone who likes Robert Rauschenberg or Jasper Johns,” he said. And his use of feathers, like in Spanish Dancer, 1928, reminded Acquavella of Damien Hirst’s butterfly collages.

Modern Market Predictions from “Artelligence” (Artnet)