Design
Marion Maneker0April 06, 2011

Deco Doesn't Dance in Paris

The collection of 20th Century furniture assembled over a ten-year period by Laurent Negro was sold at a loss for the market-minded collector. One reason offered by observers is that Negro had become the top end of the market during that period leaving no one to sell on to in a large sale such as this:

The Christie’s International three-day sale in Paris of the contents of the Chateau de Gourdon museum accumulated by Laurent Negro raised 42.4 million euros ($60 million) with fees. Demand was selective. The total at hammer prices was lower than the estimated 40 million euros to 60 million euros [...]

Negro lost money on a number of pieces. He paid $386,500 for Jan and Joel Martel’s 1931 aluminum Art Deco sculpture of an express train, “Locomotive en marche,” at Sotheby’s (BID),New York, in 2008. It sold for a hammer price of 200,000 euros. A 1927 Gustave Miklos bronze sculpture, “Jeune Fille,” fetched 1.15 million euros without fees. This had been bought at a French auction in June 2005 for 1.6 million euros. The purchase price of the design collection had been higher than the low estimate, Jonathan Rendell, Christie’s New York- based deputy chairman, said in an interview before the event.

‘World’s Best’ Modern Design Sale Fetches $60 Million in Paris (Bloomberg)

 

 

Auction Results, Design
Marion Maneker0March 13, 2011

Christie's 20th C Design = $1.43m

Auction Results, Design
Marion Maneker0March 10, 2011

Sotheby's 20th C Design = $3.55m

Auction Results, Design
Marion Maneker0March 08, 2011

LA Modern Palevsky Sale = $2.25m

Los Angeles Modern Auctions pulled in its highest gross on Sunday, March 6 when auction sales totalled $2,256,323.

Peter Loughrey, Director, said “Once again, our results prove that you do not have to send Modern Art to New York or London to get the top price.”

Items consigned by Max Palevsky’s estate brought $333,813. An Ettore Sottsass a marble console (Lot 55 est. $10,000 – 15,000) $75,000; a sevres porcelain vase (Lot 70 est. $1,000 – 1,500) brought $31,250; and a pair of marble end tables (Lot 84 and 85 est. $2,400 – 3,000) together sold for $25,000.

A sculpture by Reg Butler (Lot 92 est. $20,000 – 30,000) sold for $125,000, setting a record for the artist.

The Collection of James Byrnes, the first curator of Modern Art at LACMA in the mid 1940s, had 50 lots bringing $171,313.  Highlights included a rare Harry Bertoia brooch (Lot 220 est. $5,000 – 7,000) that sold for $22,000; an original Calder work on paper (Lot 25 est. $15,000 – 20,000) which made $25,000; and an Ynez Johnston (Lot 332 est. $2,000 – 3,000) hammered down at $10,938. Nearly all of the works were acquired directly from the artists, which created desirable provenance.

Palevsky Estate Propels LAMA to Record Sales (LAMA)

Design
Marion Maneker0March 02, 2011

Sotheby's Asks What Is Modern?

Sotheby’s latest video series follows a 20th Century Design sale through the auction house process. This video spends some time looking at how the catalogue is conceived, planned and photographed. Catalogue? Isn’t that retro?

Auction Results, Design
Marion Maneker0December 15, 2010

Phillips de Pury Design = $7.1m

The Design auction at Phillips de Pury was the biggest result ever for the firm. With 214 lots offered and 73% selling, the sale brought in: $7,101,812.

Top Ten Lots:

  1. Lot 57 Flavio Poli Important and monumental chandelier, from the Hotel Bristol, Merano, Italy, $434,500
  2. Lot 14 Emile-Jacques Ruhlmann Rare “Elephant armchair, $290,500
  3. Lot 43 Charlotte Perriand Unique monumental “Bahut” sideboard, $266,500
  4. Lot 44 Harry Bertoia Important unique monumental “Bush” form, $266,500
  5. Lot 7 Serge Mouille Unique and important six-arm ceiling light, $230,500
  6. Lot 38 Robert Mallet-Stevens, Unique desk, for Roger Gompel, Director of the Paris-France Society, $218,500
  7. Lot 4 Poul Henningsen Exceptional large wall light, for the Scala cinema and concert hall, Árhus Theater, Árhus Denmark, $212,500
  8. Lot 34 Line Vautrin Rare “Solaire” mirror, $194,500
  9. Lot 25 Harry Bertoia Large “Bush” sculpture with integrated welded fountain form interior, $170,500
  10. Lot 3 Jean Royére Rare armchair, $178,500
    Artist Records: [Read more...]
Auction Results, Design
Marion Maneker0November 28, 2010

Joop Decorative Arts, Paris = €2.66m

Design
Marion Maneker0November 23, 2010

Get Ready for Design in Paris

The market for design and decorative objects seems to have rebounded off the post-crash lows. This week presents a good test of the market with sales in Paris and Vienna. The Wall Street Journal‘s Margaret Struder previews the Joop sale and the various owner collections”

A star lot will be a unique lacquered sideboard decorated with wondrous animals that was created around 1930 by Printz, Switzerland’s lacquer master Jean Dunand and French artist Jean Lambert-Rucki (estimate: €300,000-€500,000). The animals on the cabinet were used in some accessories’ patterns for the autumn/winter 2009 collection for the Wunderkind fashion label, Mr. Joop’s womenswear collection. [Read more...]

Design
Marion Maneker0November 22, 2010

Eileen Gray Furniture to Sell in Paris

Scott Reyburn gets the announcement of Christie’s sale of Eileen Gray furniture to take place in Paris in the Spring. Since the spectacular sales of Gray’s work during the Yves Saint Laurent sale, all eyes have been on the market for the Irish designer’s work.

The Gourdon Collection of Art Nouveau, Art Deco and modernist design will be sold by Christie’s International at the Palais de Tokyo on March 29-31, 2011. The 500 works are owned by French collector Laurent Negro, who has been buying 20th-century design since the 1990s. [Read more...]

Design, Featured
Michael Reid0October 27, 2010

Are Auction Prices Really Indicators of Value?


Sporting slimline retro glasses, new look over-stitched denim trousers, an open-fronted, zip to the neck, leisure wear-inspired stripy cardigan and lime green Bailey shoes, my good friend and 20th century design guru Geoffrey Hatty raised a very important point the other day.  Over a glass of dry white wine he announced that the values currently achieved at auction for 20th century art and design do not represent the value of the objects themselves.

Bear with me on this one. Geoffrey’s clarity of view fundamentally contradicts the widely accepted and long-held art market belief that values achieved at a public auction, an ‘open and fair market’, create the floor price for an artwork within the secondary market. For decades it has been accepted that if, say, a Nathan Taylor painting achieves $20,000 at auction, then a new floor price has been set for all Nathan Taylor paintings of that date, quality, subject and size. In effect the public auction benchmark, secondary market price trickle down effect. Well Geoffrey and I say that this is often not the case.

Geoffrey’s theory states that a price achieved at auction, for example for a Modernist c1940s vase, is the price achieved at the time, at that particular auction and under those particular circumstances only. Essentially, the price realised at auction is not generally indicative of what Geoffrey believes to be the value of the artwork or what he would pay. Geoffrey states (and I fully agree) that the auction sale price in many, many instances can now no longer be considered the benchmark of an artwork’s value. [Read more...]

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