Retrospectives
Marion Maneker0April 07, 2012

Thomas Kinkade

Reuters announces the death of Thomas Kinkade:

Kinkade died alone on Friday at his residence in Los Gatos, a small town about 45 miles south of San Francisco, from what appeared to be natural causes, family spokesman David Satterfield said. No other details were immediately available. [...]

“Born in Placerville, California, an old gold rush town in the foothills of the Sierra Nevada mountains, and educated at the University of California, Berkeley, Kinkade built an unparalleled art empire, his works distributed through about 4,500 art dealers, according to a 2002 interview he gave to the San Jose Mercury News newspaper. [...]

Kinkade claimed to be America’s most collected living artist, his prints hanging on the walls of an estimated 10 million Americans. A Christian who often depicted scenes from the Bible, Kinkade was known to dress as Santa Claus each Christmas and ride around Los Gatos on a motorcycle to deliver gifts, according to the Mercury News.

Painter of Light Dead at 54 (Reuters)

Retrospectives
Marion Maneker0December 21, 2011

John Chamberain

The New York Times announces the death of John Chamberlain at 84:

Early on, Mr. Chamberlain was drawn to the totemic welded constructions that David Smith made from old tools and machine parts. But in 1957, he had an epiphany while staying with the painter Larry Rivers in Southampton, N.Y. Using two fenders he pulled from a 1929 Ford rusting on Mr. Rivers’s property, he made a sculpture by running over the pieces repeatedly with a truck to bend them the way he wanted, then he fitted them together almost like puzzle pieces.

The sculpture, “Shortstop,” opened his eyes to the potential of pre-painted junk metal. And work like it, heavily indebted to his Abstract Expressionist mentors, attracted admirers like the influential collector Allan Stone [...]

Mr. Chamberlain worked with a broad range of materials, some as pliant as foam rubber and as ephemeral as brown paper bags. But he returned again and again to the more substantial stuff of the scrap yard, explaining the attraction as one of practicality. “I saw all this material just lying around against buildings, and it was in color,” he said, “so I felt I was ahead on two counts.”

But auto bodies also provided him with a material that could bear more than its weight in art-historical significance: as a chaotic riff on Duchamp’s readymades, as a renegade form of truth-in-materials Minimalism, as a bridge between the raw expressiveness of the New York School painters and the assembly-line deadpan of Warhol.

Critics often saw his crumpled Cadillacs and Oldsmobiles as dark commentaries on the costs of American freedom, but Mr. Chamberlain rejected such metaphorical readings.

John Chamberlain, Who Wrested Rough Magic From Scrap Metal, Dies at 84 (New York Times)

Retrospectives
Marion Maneker0November 23, 2011

Gerald Laing

BBC News reports the death of British Pop artist Gerald Laing:

He spent much of the 1960s working in pop art in New York and was a close friend of artists Andy Warhol and Roy Lichtenstein.

Laing’s most famous works included images of actresses Brigitte Bardot and Anna Karina.

In October this year, he showcased a series of paintings and drawings of [Amy] Winehouse in London.

Laing was also a sculptor and created a statue of Sherlock Holmes that stands in Edinburgh and also the Exiles, a statue at Helmsdale that recalls the Highland Clearances in Scotland.

Four Rugby Players at Twickenham Stadium, Ten Dragons at London’s Bank Underground Station and The Glass Virgins at Standard Life’s building in Edinburgh are among his other sculptures.

It was understood Laing had been battling cancer.

Pop artist and sculptor Gerald Laing dies aged 75 (BBC News)

Retrospectives
Marion Maneker0November 15, 2011

Cargill Macmillan Jr.

Cargill Macmillan, heir to the Cargill commodities fortune, died on Monday. He lived in Minnesota and Palm Springs, he and his wife, Donna, donated $20 to $25m in art to the Palm Springs Art Museum:

Their massive art collection included works from Louise Bourgeois, Ellsworth Kelly and Andy Warhol. Their “Your Dog” sculpture by Yoshitomo Nara has greeted museum guests for several years. Palm Springs Mayor Steve Pougnet, who sits on the art museum board, said MacMillan used his wealth to create a legacy of “unwavering” support of the arts. “Cargill MacMillan’s passionate pursuit of modern art was unparalleled and incredibly prolific,” Pougnet said in a statement to The Desert Sun.

Philanthropist, Company Heir Cargill Macmillan Jr. Dies (The Desert Sun)

Retrospectives
Marion Maneker0October 04, 2011

Everett Ellin

The New York Times remembers Everett Ellin who began his career as a lawyer, a clerk to a California Supreme Court Justice, a talent agent, an art dealer and eventually a museum official before becoming a pioneer of art information technology:

As the first executive director ofthe Museum Computer Network, a nonprofit organization begun in 1967, he helped bring about the reluctant marriage between the conservative world of art museums and wild frontier of information technology.

The marriage prefigured the ready electronic access to museums and their holdings that is taken for granted today.

“Few bastions of the humanities have withstood the march of technology more tenaciously than the art museum,” Mr. Ellin wrote in a journal article in 1969. “But now, at long last, the computer has entered the house of the Muse and — like the man who came to dinner — the guest is here to stay. It would behoove the host to know something about his visitor’s care and feeding.”

Everett Ellin Dies at 82; Helped Computerize Art Catalogs (New York Times)

Retrospectives
Marion Maneker0September 23, 2011

A. Richard Turner

The New York Times acknowledges the death of Richard Turner, Leonardo scholar, who published Inventing Leonardo in the 1990s:

The well-known reticence of Leonardo, whose notebooks were not published until the late 19th century, and the scarcity of his work have made him elusive prey for the art historian. Mr. Turner, spying an opportunity in this information vacuum, focused on the multiple Leonardos created by biographers, critics and artists from Vasari to Freud and beyond, each reshaping the artist and man according to his own cultural values and notions of creativity.

“There is a 1550 Leonardo, an 1800 one, an 1850 one, and so on,” Mr. Turner wrote in his introduction. “Each is a different character based on the needs of the given time that produced him, and each has ties to the Leonardo that went before.”

A. Richard Turner Dies at 79 (New York Times)

Retrospectives
Marion Maneker0September 13, 2011

Richard Hamilton

Jonathan Jones makes the claim that Richard Hamilton, who died today, was the most influential postwar British artist:

Richard Hamilton, the most influential British artist of the 20th century, has died aged 89. In his long, productive life he created the most important and enduring works of any British modern painter.

This may sound a surprising claim. We have our national icons and our pop celebrities. But neither Francis Bacon nor Lucian Freud nor Damien Hirst has shaped modern art in the way Hamilton did when he put a lolly with the word POP on it in the hand of a muscleman in his 1956 collage, Just What is it that Makes Today’s Homes So Different, So Appealing?

Hamilton has a serious claim to be the inventor of pop art: this collage is a visionary, and yet ironic, manifesto for a new art that would be at home in the modern world.

The BBC’s Waldemar Januszczak tweets some solace to the sad news:

Bloomberg remembers Hamilton‘s role in designing the Beatles’s White Album:

During the interview, Hamilton recalled the invitation he received from Paul McCartney to design the Beatles’ 1968 double album. He gave it a simple white cover — hence its common title of The White Album — and slipped a print inside: a folded collage of Beatles pictures.

McCartney “came to my studio every afternoon from about 2,” Hamilton said. “We had tea, and then he would go off to Abbey Road to do the mixing, and he worked through the night.”

The pair began an odd correspondence. Each would send the other a postcard with the correct name, but an unlikely address. “It was a test to see whether it would find its way!” said Hamilton with a hearty laugh. “I don’t know if any didn’t.”

“I suppose that collection of postcards is now quite unique,” he said. “One day it’ll be in the Tate Gallery, no doubt!”

The Associated Press goes to Nicholas Serota of the Tate for his take:

Tate director Nicholas Serota said Hamilton was “one of the most influential and distinctive artists of the postwar period.”

“Greatly admired by his peers, including (Andy) Warhol and (Joseph) Beuys, Hamilton produced a series of exquisite paintings, drawings, prints and multiples dealing with themes of glamor, consumption, commodity and popular culture,” Serota said.

Richard Hamilton, the Original Pop Artist, Dies at 89 (Jonathan Jones/Guardian)

Richard Hamilton, Father of British Pop Art, Dies at 89 (Bloomberg)

British Pop Artist Richard Hamilton Dies at 89 (Associated Press)

Retrospectives
Marion Maneker0August 08, 2011

Charles Wyly

Texas billionaire, Charles Wyly, died in a car accident over the weekend in Aspen, Colorado.

Charles Wyly was a past chairman of the Dallas advisory board for the Salvation Army and board chairman for the Dallas Theater Center. He served on the boards of the United Way of Dallas, the Dallas Museum of Art and the Dallas Summer Musicals, among numerous civic involvements.

The Securities and Exchange Commission last year accused Charles andSam Wylyof reaping $550 million from illegal insider trading over a 13-year period.

They allegedly traded tens of millions of shares in Michaels, Sterling and other companies on whose boards they served, allegedly administering the transactions through offshore trusts named after “Louisiana towns and schools associated with the Wylys’ youth,” according to the SEC’s lawsuit against the Wylys.

Texas billionaire Charles Wyly dies in Aspen crash (The Denver Post)

Retrospectives
Marion Maneker0August 08, 2011

Sir Anthony Tennant

One of the central figures in the Sotheby’s-Christie’s price-fixing drama, Sir Anthony Tennant, died last week. The Telegraph offers this obituary that refutes the conviction of Alfred Taubman by claiming neither man knew each other well-enough to engage in illegal collusion. For those without immediate recall of the events surrounding the price-fixing scandal, the essential question was whether Davidge and Brooks had conspired to fix prices or whether they were carrying out a scheme agreed to by Taubman and Tennant:

Tennant advanced to executive chairman of Guinness in 1989. By the time he stepped down at the end of 1992, Guinness was once again internationally admired – as was Tennant himself, who at 62 was keen to take on new challenges. He became senior adviser to the London operation of the US investment bank Morgan Stanley, and in May 1993 he succeeded Lord Carrington as chairman of Christie’s – the perfect part-time job for a proven business leader with extensive social connections and the connoisseur’s eye of a private art collector.

But he had no intention of being a figurehead for the auction house, and immediately began to look for ways to improve “shareholder value”, as he had done at Guinness. His attention focused particularly on the market duopoly with Sotheby’s which meant squeezed profits for both. Accounts would later differ widely as to the precise nature of his interventions on this subject: Tennant maintained that he was completely innocent of any direct involvement in the fixing of commission structures for auction clients, or of encouraging Christie’s chief executive Christopher Davidge to collude with his Sotheby’s opposite number, Dede Brooks. But both Davidge and Brooks sought to shift blame onto their chairmen for the collusion to which Brooks confessed, and which Davidge substantiated with documents from his personal files.

What was not in doubt was that Tennant made it his business, over a series of private breakfasts in London and New York, to get to know Sotheby’s chairman and major shareholder, the real-estate tycoon Alfred Taubman. He believed firmly, from his dealings in the liquor industry, that it made sense to “size up the competition. There’s nothing wrong with that. I wanted to look him in the eye, see what sort of chap he was.” According to Tennant, however, it was “fairly barmy to suppose that two experienced businessmen could go straight into a deal on price-fixing when we had barely met”. As for the suggestion that he had instructed Davidge to break the law on both sides of the Atlantic, it was “almost laughable”.

Sir Anthony Tennant (Telegraph)

Collectors, Retrospectives
Marion Maneker0July 07, 2011

Stanley Seeger

The Telegraph offers an obituary of the collector Stanley Seeger whose interest in art and music blossomed into something greater when he met in 1979 his life partner of 32 years, Christopher Cone:

One of the first — and rather unexpected — results was the purchase of Sutton Place, in Surrey, the former property of the oil magnate Paul Getty. Seeger and Cone set up the Sutton Place Heritage Trust to maintain the house and open it for concerts and exhibitions. They created the lake and commissioned the garden by Geoffrey Jellicoe. A striking orange triptych by Francis Bacon dominated the Great Hall.

Under Cone’s influence, British artists such as Fuseli, Samuel Palmer, Turner, Christopher Wood, Graham Sutherland and — above all — Ben Nicholson poured into the collection. They were joined by major Europeans such as Dubuffet, Beckmann, Cézanne, Miró, and by some contemporary American works, such as Jasper Johns’s Coloured Alphabet (1959).

At the same time the Picasso collection grew. “Collections sneak up on you,” said Seeger, “they start to have a life of their own. You buy four or five pieces and then start to fill gaps.” By the time he had filled in the “gaps”, it had grown to 123 works in all media. It was an intimate collection evenly spread across the artist’s career, with a large proportion of works which Picasso had given to friends and associates.

Seeger’s restless streak then reasserted itself. Sutton Place was sold, followed soon afterwards by the Picasso collection. Despite being offered at Sotheby’s in 1993 — a grim economic moment — its conspicuous quality ensured that it was one of those rare auctions in which not a single lot remained unsold. It realised $32 million.

Subsequent sales of the reburgeoning picture collection included more, newly acquired, Picassos, the Bacon triptych and a sensational “constellation” by Miró which had hung insouciantly in the kitchen of Seeger’s London flat.

Stanley Seeger (Telegraph)

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